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While studio interference has always been a thing (X-Men being a solid example), I think with the way technology has progressed and how films are being manufactured, it's pretty safe to say that composers have been getting less and less wiggle room. They should be thematic and bombastic, but most of them just slide off my brain. It's a common complaint, but too many modern superhero scores are sonic wallpaper to me. But if they had got something like the usual Giacchino Marvel score everyone would have said, sure, that's because the movies leave no room for good scores, but Williams proved that it is possible. John Williams scores for the Star Wars sequels are brillant big scores. And if you like the movies, like I do, it is really a pitty.Īnother example. The scores didn't really leave a trace and I was really disappointed. Endgame leaves a lot of room for music and uses it.īut I remember when I fist saw the first 3 X-Men movies and I thought, these could use a great score, but somehow these films delivered to a certain degree the template for future superhero scores. For example the Raimi Spiderman movies leave good room for emotions and music and the scores are good. Those films don't breathe for a second and it's nonstop action pieces that even the most brilliant composer would have trouble keeping up with to make sense of it all. It doesn't leave much room for good scoring in my half assed opinion. And I'm speaking mostly of the Marvel movies over the years.
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Without crapping on them too much (cause I find the people who constantly crap on cape movies almost as insufferable as the ones who love them to death) I feel it's mostly because of how the movies are made. How could I forget Mystery Men? A real underrated gem from the late 90s. Iron Man 2 have Mayhem in Monaco and Iron Man Battles the Drones, they are real fire
#IRON MAN 2 SOUNDTRACK MAYHEM IN MONACO FULL#
Badelt's TMNT and Powell's X3 I like on some levels, but never could get behind the full products. Beltrami's Logan and Fant4stic are fun, but I more tend to just moderately enjoy. Honorable mentions would be Supergirl and Iron Man 2, since I'm just not familiar enough with them yet to be included, but still have too many neat moments to ignore. In either case, these are definite favorites for me: It's part of why I never did post in the two recent top ten threads, since it basically would be this anyway.
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Honestly, I kind of worry that all I listen to is superhero scores, given that it has been much of the media that I've consumed in my life thus far.